Electric South has supported African artists from a spectrum of creative disciplines to explore 360 filmmaking.
We act as a production studio – securing finance for projects; guiding creative development of ideas; mentoring first-time VR filmmakers throughout the production process; and facilitating post-production.
Our first projects were co-produced under the New Dimensions banner by Electric South and the Goethe-Institut South Africa, with additional support from Big World Cinema, Blue Ice Docs and the Bertha Foundation.
The New Dimension 2017 workshop opened me to the possibility VR technology affords as a tool of expression for a visual artist, making it easier to transition into viewing the world in a sphere. Special thanks to the Electric South team for the opportunity.” – Jumoke Sanwo
TRVLR artfully uses VR to explore the theme of African migration, historically, currently, and speculatively into the possible future. For this film to have a lucid dreamlike quality, 360 video will be mixed with composited and animated elements . From early on the viewer will know they are not watching a documentary, but rather a work of art inspired by real world events.
South African artist and filmmaker duo Meghna Singh and Simon Wood are exploring modern indentured servitude, inspired by the discovery of remains of a slave ship at the affluent Clifton beach. The project, “Container”, was pitched at IDFA last year, and featured in Variety magazine. It was selected for the Gap Financing Market at the Venice International Film Festival in September 2018.
“Azibuye – The Occupation” is a stereo 360 documentary about Masello and Evan, two homeless black artist/activists who take up residence in an crumbling mansion, vacant for 20 years, in an affluent part of Johannesburg. They proclaim their illegal occupation to be an artistic and political act to address the ongoing racial inequalities in land ownership in South Africa. When it is revealed who the owner of the house is, the pair have a difficult decision to make.
The term ‘azimuth’ is derived from Arabic and denotes a measurement in a spherical space. Azimuth is a short fashion VR film that explores stylised Brutalist architectures as a triptych to fashion performances and an immersive ambisonics original score. It is an experimentation of 360° live action filming with underwater, aerial and drone rigging and composites digital 3D assets from Lidar scanning and photogrammetry. Conceptualised and produced in South Africa, Azimuth is testimony to collaborative practice and digital fashion expressions from a Global South.
PREMIERE AT INTERNATIONAL DOCUMENTARY FESTIVAL AMSTERDAM (IDFA)
History, colonialism, growth, nostalgia, decay and transformation collide in this introduction to Lagos, as three characters mould the identity of their megacity and where they belong in it.
PREMIERE AT NATIONAL ARTS FESTIVAL, SOUTH AFRICA 2019
Here is a music and dance performance by Johannesburg artists with disabilities, celebrating their craft while reimagining their city as an inclusive and fantastical space.
WINNER: BEST DIGITAL NARRATIVE AT SHEFFIELD DOC/FEST 2019.
“Le Lac” is a dreamscape where liquid gives way to dust. The oasis of the Sahel, Lake Chad, is not who she used to be. Ninety percent of her water is gone, leaving her feeling depleted, wary, scared and insecure. Climate change has made the millions of people who depend on her vulnerable, and induced the threat of Boko Haram insurgency. In this immersive documentary,step into the lives of Mahamat, a once-wealthy pastoralist, and Nassuri, a refugee-turned-fisherman, as the lake herself hopes for their survival amidst her scattered ponds.
In this poetic symphony, two women and a man wrangle in forests full of smoke and beneath waters dappled with bougainvillea. Each must hollow out the other’s core for fruits promised but only ever borne in dreams.
A group of Africans have left the Earth to create a colony on a distant planet. They respond with disquiet to the arrival of an uninvited guest.
VR documentary which explores the Chale Wote Street Art Festival in Accra.
A little girl receives a message and discovers the hidden face of Dakar. An homage to Senegalese mythology and a stunning visual debut from Dakar-based artist and designer, Selly Raby Kane, this magical 360° film transports viewers to a place where past and future meet and where artists are the beating heart of the city.